A survey of Obama in pencil, ink and paint shows artists are struggling to get the brother right.
Updated: 6:11 PM ET Jul 15, 2008
July 16, 2008--Depending on whom you ask, the July 21 cover of The New Yorker has become cause for outrage, confusion and partisan glee. Given the flare-ups surrounding race and representation that have rocked the 2008 presidential race, it's easy to treat the satirical cover—of a be-turbaned Barack and a be-afroed Michelle Obama—and other "racialist" images of the couple as a serious problem. But when it comes to cartooning, the presumptive Democratic nominee has gotten a bum rap since day one.
During Obama's meteoric rise from state senate to the threshold of the oval office, political cartoonists have had to grapple not just with a fresh face to draw, but a new race to signify. Photographs of Obama's angular, open visage—half white, half black—have graced countless magazine covers in the last year alone, appearing at times Marvel-esque, at others proletarian. His cartoon self, however, has been wildly incoherent.
Drawing a black man—either seriously or satirically—it appears, is damned difficult.
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More Obama Cartoons . . . here.